Friday, September 30, 2011


Crossroads Writers & Literary Festival

September 26, 2011
The 2011 Crossroads Writers Conference and Literary Festival starts at noon on Sunday, October 2, in downtown Macon, Ga. The festival, which includes children’s activities, a writing marathon and some unique offerings, is free and open to the public with readings by many of the conference’s writers.
   Two special guests reading at the conference include best-selling novelist Joshilyn Jackson, who was recently named a 2011 Georgia Author of the Year, and Melissa Fay Greene, who was just inducted into the Georgia Writers’ Hall of Fame.
Other writers from all over the country include best-selling writers such as Rick Moody, comic book scribe Gail Simone, poet Idris Goodwin, Jay Parini, Southern writer Terry Kay, screenwriter-turned-novelist Jeffrey Stepakoff, Adam Davies and sci-fi author Jack McDevitt.
Georgia talents include Macon’s own Tina McElroy Ansa, mystery novelist Nora McFarland, comedian writer Ad Hudler, pulp fiction writer Barry Reese, memoirist John Jung, Steampunk novelist Emilie Bush, and many more.
The conference schedule will contain the Kick-off Book Launch Friday night, the Writer’s Conference all day Saturday, and the Literary Festival Sunday. For more details about the schedule, visit
For more festival information and to register, visit

Thursday, September 29, 2011

SURF PULP-As Told to Chuck Miller!


Chuck's Guest today- Craig Lockwood 

CHUCK MILLER:  Surf Pulp is something that not too many of my colleagues who have loosely banded together under the "New Pulp" umbrella have been exposed to. And it's a wonderful thing, since we are looking to broaden the definition of "pulp fiction," and expand its visibility and appeal. Could you just give us a brief synopsis of how you got the idea and what steps you took to see it through all the way to Hard-Boiled Surf Pulp Fiction #1?

CRAIG LOCKWOOD:  I’ve often wondered if the term “New Pulp” or “neo-Pulp” isn’t misleading. While the great pulp publishing and fiction industry died out forty years ago, Ellery Queen and Analog are still published. So at least a tenuous thread to the pulp-past was maintained. And the pulps have been an enduring and arguably profound influence on America and Europe’s popular literary culture.

What’s telling is that when I started this project with Rick we had no idea that there was anything like a pulp revival.

I’d had the idea of publishing an all-surfing-related fiction magazine for years. And I loved the old pulp form. I’d done a pulp paper book The Whole Ocean in 1986.

Twenty-three years later I’d just finished writing a big book for a publisher, and decided to see if I couldn’t put an inexpensive magazine—a real pulp—together.

Rick’s a talented illustrator who had been an aficionado of the American pulp illustrative style of the 1930s and ‘40s and ‘50s. I’d read the sci-fi pulps like Galaxy and Analog, and the mystery mags like Back Mask and Ellery Queen, as a kid and been entranced the storytelling and action. My first published fiction – and the piece was wholly an adventure pulp sory -- was in SURFER Magazine—despite SURFER being a “slick.”

Both of our mutual interests and our livelihoods center around surfing and the surfing sub-culture.
 That term may seem like an anomaly, but today there is an entire sub-culture—which is something like car-culture—but based around surfing, that had been growing in California since the 1930s. And I’m not talking “Gidget.”

There’s a multi-million dollar sustaining “surfing industry” that includes surfing apparel, surfboard manufacture, surf-related destination travel, surfing fine art with prestigious museum exhibitions, surfing cinema, TV shows, surfing music, surfing literature—including surfing journalism, with books and magazines—and even occasional surfing theater, and believe it or not, a nascent surfing academia.
And of course, there’s surfing crime. Which some older readers may recall getting both national notoriety and tabloid ink during the 1960s with a Florida criminal character nicknamed “Murph the Surf.”
Rick is academically trained, and a graduate of Art Center, here in Pasadena, California, which is one of he nation’s finest art schools. I studied creative writing at the University of California, Los Angeles. Rick’s work hangs in both private collections and at McKibben Gallery in Laguna Beach as well as in Rémi Bertoche, in France.

I’ve been a journalist and editor since college, mainly surfing but in the beginning the pickings were slim so I also worked as a lifeguard and deputy sheriff. Later I served as a war correspondent in Southeast Asia, Balkans, the Middle East and Afghanistan, a crime reporter, and a surfing historian whose last book “Peanuts” An Oral Biography Exploring Legend, Myth and Archetype In California’s Surfing Subculture” was reviewed last year by surfing’s most prestigious magazine, The Surfer’s Journal, as “This year’s Best book on Surfing, 2010.” Currently I serve as co-chair of the Oral History Committee of the Surfing Heritage Foundation, which is an endowed institution and museum. But I also shape surfboards and racing paddleboards – it’s all handwork – as a hobby/business.

We were well into the project when we started discovering you guys.

We looked at each other and went “Wow! Here’s real talent, good writing, and great storytelling.”
And you—the pioneers—were all out there taking great waves and cranking these stylish pulpy bottom turns and looking good. 

It was like wandering through the desert thirsty and alone and discovering this well-supplied big wagon train with the Bonanza cast at the reins.

CHUCK:  What would you say to potential readers who might be leery of your work because of their unfamiliarity with surf culture and the perception that this is a very specialized area that they just wouldn't "get?" I think this could be really significant in terms of opening up new connections and exposing people to familiar concepts in a new context. That can be a difficult barrier to break through, which is sad because I think there are far more things in common than not.

Chuck, you nailed it. There are definitely more things in common in pulp fiction than not. To paraphrase Marshall McLuhan: The medium is the milieu.

I suspect we both see pulp fiction as a wonderful dimensional door through which readers are transported by writers into other realities. The vehicle of transmission is the combination of the author’s words and the reader’s imagination.

Surfing, and surfing fiction does reflect aspects of surfing’s specialization, just as espionage fiction is specialized. But specialization need not be exclusionary, and it’s never a reason to neglect the opportunity of an exciting read.

The English mystery writer Dick Francis, himself a jockey, set all his stories against a background of horse racing—which is like surfing, a kind of sub-culture. I’ve only been to one horse track in my life, and know nothing about horse-racing, betting on horses, or horse-racing as an occupation. But I’ve read and enjoyed at least a dozen Dick Francis mysteries, full of racetrack jargon, and enjoyed them.  

Reading masters of a specific genera—such as spy fiction’s John Le Carre´, or Alan Furst—means being immersed in that specific fictional world. This is a world the author has created. And when the author is good, and when the narrative’s coherent and the drama compelling we’re exposed and become both intellectually and emotionally involved in a very specialized environment—say Carré’s Cold War London in 1965, or Furst’s Eleventh Arrondissement in 1940 Paris, during the Nazi Occupation.

And in that fictional environment the magic of a reader’s imagination, a skilled author’s description, narrative and dialog—all provide enough information for the reader to understand and personally assimilate the  political climate, the geography, the tradecraft and techniques, the idiom and argot of espionage.

Compared to this kind of complex arcana, surfing’s lexicon is relatively easy. Especially when the format’s a short-story or novella. Here the author is going to be focusing less on some incidental technical aspect—such as a specific surfboard’s design limitations in a given wave—than say, on the protagonist’s efforts to get to the exotic location where a previously un-ridden but fabled wave exists. And—as in all adventure fiction—that requires an author’s commitment to narrative and a reader’s exercise of imagination.
And, if the author is skillful, he or she provides the reader sufficient expository detail so their imagination takes over. This, after all, is how we are able to read and immerse ourselves in—and find credible and enjoyable enough, and thus continue reading—our pulp fiction superheros.

Surfing is an activity rooted in American culture. Surfing comes out of that culture, and so much of what surfing authors are writing about is at least familiar. Most of us have either been to a beach, or seen film or stills of the ocean, and waves, and surfers. We have a sense of the beauty, power and grandeur of the sea. 
I’m not a skier, have never skied, hate snow, don’t know the precise meaning of terms like “mogul” or “screamin’ starfish” or “slow-dog noodle turn” and have never experienced the thrill of flying down a mountainside in deep powder. Yet I’ve read and enjoyed skiing-related fiction. So it wasn’t what I knew that entertained me, it was the author’s skill in creating a literary door through which I could venture in imagination.

I didn’t have to be an anthropologist like Colin Trumbull, living with the m’Buti, in the Congo and having to learn an entire non-cognate language to figure out the sub-culture. If I didn’t know the terminology, the story carried me along.

In one of our Vol. 1 No. 1 issue’s stories, “Sorcerer of Siargao” by Susan Chaplin, her surfer-protagonist is described this way:

“Marla was tall, with big shoulders and clear blue eyes. At forty-seven and recently divorced she was living out some pre-divorce impulse to surf her way around the world.”

There is nothing very exclusionary here for a non-surfing reader. You get her logline. Restless middle aged woman seeks adventure. The rest is storytelling—through a surfer’s eyes.

In “The Big Deep” hard-luck hard-boiled surfing private eye Sam Sand tells  surf syndicate enforcer Gang Lopez who’s bringing him an impossible-to-solve case: “Gang, you been laminating without a mask?”

Now a non-surfer may not have a clue that this wisecrack refers to the manufacturing process of saturating the “laminate,” the two fiberglass layers of a hand-shaped surfboard blank’s skin with catalyzed polyurethane resin, but you know he’s skeptical—and is obviously saying it in a colorful way.

One thing those of us who are attracted to the pulp milieu share is that we love imaginative storytelling. So if Hard-boiled Surf Pulp which is aimed at a primarily surfing audience has any chance of attracting non-surfing readers we think it will be because our writers can tell stories well.

CHUCK:  Name two or three of the biggest influences on your writing. Not necessarily limited to authors, but including ANYTHING that you think has shaped your style and the worldview that your fiction is built on.

My biggest initial influences in desire to be a writer were genetic, i.e., my mother and father.

My dad was a hard-boiled, hard-core, hard-bitten, hard-case WW I combat veteran—a newspaperman/journalist, war correspondent, and occasional pulp writer during the 1920s and ‘30s. He became a wire-service bureau chief, in Lisbon. My parents had lived in the same Paris neighborhood as Ernest and Hadley Hemingway and were part of the same literary and artistic circles.

My mother was an artist, a sculptor of some renown, and the daughter of three generations of newspaper men. And she had the storyteller’s gift. She’d been a fashion illustrator for Vogue Magazine, so her artist’s eye missed nothing. Decades after an event she could recall the most precise details, inflect the tone of voice of someone who’d been speaking, mimic accents, and connect everything to the weather, the political climate, how the women and men were dressed, how the food was prepared, was served and tasted.

Just before World War Twice they returned to California and Hollywood where he became a screenwriter for Fox. I came along soon after. Then the war came along and my father was killed, soon after Pearl Harbor.

As a child without a father—growing up in Hollywood during the war—my mother would tell stories about her early life. I was fascinated with her accounts of her famous family’s history, of my father’s life, their travels—including some exciting adventures with narrow escapes—and the now all-but-forgotten literary figures they’d known such as John Dos Passos, Sinclair Lewis, Theodore Dreiser, Sherwood Anderson, Sylvia Beach, Gertrude Stein, Ford Maddox Ford, James Joyce, Raoul Whitfield, and Dashiell Hammett.

When I was very young my mother would tell me serial stories of characters she’d invent. Then, taking a big drawing pad and using charcoal pencils, she’d quickly illustrate them while she was telling the story, drawing the characters—horses, boats, cars, guns—and the most outrageous and weirdly costumed arch-villains. We had a house full of books, and a beach house in Laguna Beach and so I grew up reading and surfing.

Pulp magazines were still on the newsstands when I was a kid and I became interested in reading and collecting science fiction magazines. Without question, much of my interest in writing fiction came from that early pulp exposure.

Going to the local newsstand with my weekly allowance was a ritual. What a visual feast! There were dozens of lurid covers, adventures, detective mysteries, westerns, romances, creepy shudders, and the ones in the back at the top—beyond kid’s reach—the spicy pulps.

So I pictured myself being able to write for these kinds of exciting magazines. I was just learning to type and submitted a few science fiction shorts in my early teens—which were promptly rejected. 

Unfortunately, by the time I had begun to write well enough to perhaps be accepted, the pulps were approaching extinction, and everyone in my college writing classes was trying to write like Jack Kerouac, J.D. Salinger, Kurt Vonnegut or Joseph Heller.

Ray Bradbury’s fiction was a strong early influence, and he spoke frequently at Robert Kirsch’s Art of Fiction course and workshops at UCLA where I was a student. I’ve never forgotten his closing words at one of his lectures:
“Always quit while you’re hot. And don’t forget to put the cover on your typewriter.”


Vanguard Publishing announces Strange Worlds of Science Fiction - The Science Fiction Comics of Wally Wood

The Science Fiction Comics of Wally Wood

Vanguard Publishing announces
Title: Strange Worlds of Science Fiction
Subtitle: The Science Fiction Comics of Wally Wood
Series: Vanguard Wally Wood Classics

Tales from the Crypt and Weird Science publisher Bill Gaines
called Daredevil, THUNDER Agents, and Mars Attacks co-creator,
Wally Wood "the greatest Science Fiction artist of all time."
Strange Worlds collects rare 1950s Wood sci-fi comics Strange Worlds,
Space Detective, Capt. Science, Space Ace, and more. If you like Vanguard's Frazetta Classics, try Vanguard's Wood Classics.
Partial list of Contents:
The Flying Saucers,
An Earthman On Venus,
Spawn of Terror,
Winged Death On Venus,
The Monster God of Rogor,
The Martian Slayers,
The Insidious Doctor Khartoum,
Time Door of Throm,
Death in Deep Space,
Bandits of the Starways,
The Opium Smugglers of Venus,
Trail to the Asteroid Hideout,
The Weapon Out of Time,
Kenton of the Star Patrol,
Sirens of Space,
Rocky X: Operation Unknown
Author-Illustrator: Wallace Wood
Editor: J. David Spurlock
Cover: Steranko & Wood
Hardcover: 200 color 8.5 x 11 pages
HC Retail: $39.95
Publisher: Vanguard
Release: October 31, 2011
Language: English
HC ISBN-10: 1934331406
HC ISBN-13: 978-1934331408
Printed in: China


ALL PULP REVIEWS- by Ron Fortier

By Joel Jenkins
Pulp Work Press
263 pages

Writer Joel Jenkins is one of the most prolific, exciting and talented members of the New Pulp movement today.  Through his association with Pulp Work Press, an outfit he started with fellow writers Joshua Reynolds and Derrick Ferguson, Jenkins has produced some of the most amazing, fast-paced pulp adventures ever to hit print.  The originator of several series in various traditional genres, STRANGE GODS OF THE DIRE PLANET, is the fifth book in this homage to Edgar Rice Burrough’s classic Martian books.

Having not read the previous four, I really appreciated Jenkins’ understanding that new readers would need a little extra background exposition to bring them up to speed on where the action was taking place and who all these characters were; while at the same time moving the story along at a breakneck pace to satisfy those fans who had been along for the ride from the beginning.  That he accomplishes this wonderfully is no small achievement and a big reason I enjoyed the book so much.

Here’s what any new reader will learn upon entering Garvey Dire’s world.  Dire is a modern NASA astronaut who, by some cosmic snafu, had his space craft hurled through an anomaly that sent him back in time millions of years to a Mars inhabited by humans like himself and all manner of beasts and fauna.  Realizing this is a one way trip; Dire accepts his fate and sets about making a new life for himself amongst the female dominated tribes of the giant red planet.  Jenkins has created a truly exotic social background that is fascinating with paying scrupulous attention to what each of these customs means to the entire culture he has created.

On Dire’s Mars, men are in short supply so they are protected and treasured and it is the abundant female sex that handles the affairs of state, commerce and warfare.  Obviously this is a different world than Dire is comfortable with, especially when adapting he realizes he must accept polygamy and marry several women to assume an active role in this society.  Like Burrough’s books, Jenkins’ Martian civilization is crumpling and the population struggling daily against both the forces of nature and time to survive.

The crux of this fifth volume centers about a long kept secret of an occult group of fanatics known as the Technopriests and Dire and his allies attempt to uncover it.  There is bloodshed galore, non-stop action and great heroic characters battling against truly beautifully crafted background.  It also ends on one of the most dramatic cliffhangers this reader has ever encountered.  Over the many years since Burroughs created his interplanetary pulp classics there have been dozens of imitators who have attempted to recapture the magic he wielded but none has ever come as close as Jenkins with the Dire Planet books.  These books rock!

Wednesday, September 28, 2011

Sequential Pulp Sneak Peeks!

New Pulp Author Martin Powell shared a few pieces of art from seveal upcoming Sequential Pulp Comics titles on All Pulp's FaceBook page.

Artwork © Nik Poliwko
Artist Nik Poliwko brings Dick Briefer's THE MONSTER OF FRANKENSTEIN back to life in a new graphic novel, inspired by the classic non-code horror series of the 1950s. Written by Martin Powell. Published by Sequential Pulp/Dark Horse Comics in 2012. Artwork © Nik Poliwko.

Artwork © Nik Poliwko
Creepy character study by artist Lowell Isaac of a Fredric Brown interplanetary invader from our upcoming graphic novel, MARTIANS, GO HOME. Written by Martin Powell. Published by Sequential Pulp/Dark Horse Comics in 2012. Artwork © Lowell Isaac.

Artwork © Lowell Isaac
An eerie teaser for NUMBER 13, a graphic novel illustrated by Tom Floyd. Written by Martin Powell. Published by Sequential Pulp/Dark Horse Comics. Based on The Monster Men by Edgar Rice Burroughs and licensed by his estate. Artwork © Tom Floyd.
Artwork © Tom Floyd
For more information on these and other Sequential Pulp Comics publications, visit them at

New Pulp’s Table Talk - Those Trendy Western Zombie Mysteries!

Table Talk Returns to New Pulp! This week, New Pulp Authors Barry, Bobby, and Mike discuss all the work, other than writing, writers must do these days, as well as those pesky trends that compel writers to pen western zombie mysteries... among other things.

Table Talk: Those Trendy Western Zombie Mysteries! with Bobby Nash, Mike Bullock, and Barry Reese is now available at or click the title above for a direct link.

Join the conversation. Leave us a blog comment at and let us know your thoughts on this topic.

A Second DEADLY GAMES! Teaser.

Check out this all new teaser ad for Deadly Games! the upcoming new novel by Bobby Nash.
Would You Like To Play A Deadly Game?

That’s exactly the question asked of Atlanta Police Detective John Bartlett and photojournalist Benjamin West after finding out that their longtime nemesis, Darrin Morehouse, has died, apparently at his own hand.

His death triggers the deadliest game of all!

To win this game, all John Bartlett and Benjamin West have to do is survive it.

Easier said than done.

Coming soon from BEN Books.

Keep watching for more information.


Pro Se Productions, Publisher of New Pulp books, anthologies, and magazines, announces today that the October issue of its magazine, PRO SE PRESENTS, will be a special issue featuring the novella, THE HUNTER ISLAND ADVENTURE by well known New Pulp author Wayne Reinagel.

Never before in print, THE HUNTER ISLAND ADVENTURE features characters from Reinagel's INFINITE HORIZONS Universe and his PULP HEROES trilogy.  "Infinite Horizons," according to Reinagel, "explores the secret lives and revealing the unrecorded adventures of the greatest heroes and villains to ever walk the Earth.

"In the worlds of Infinite Horizons, the question is explored, what if the Victorian and Pulp era adventures actually occurred in our universe. And taking into account all of the events that have happened since that time, how would this have altered the pulp heroes from the 30’s and 40’s? The answers to these questions are presented in the first trilogy of Infinite Horizons novels entitled Pulp Heroes.

"Pulp Heroes is an epic adventure, spanning two centuries in time and linking the incredible lives of history’s most popular Victorian Age adventurers of the 1800’s with the greatest action heroes of the Pulp Era and an assortment of well-known, real-life figures."

THE HUNTER ISLAND ADVENTURE is a story about Pam Titan, Doc Titan's cousin and an adventurer in her own right, and three associates who end up on a wild adventure all their own.  Although available in ebook form, this will be the first time that the story has appeared in print.

"We are more than honored," Tommy Hancock, Editor in Chief of Pro Se Productions says, "to be the home for Wayne's novella.  Known for his epic storytelling and adventures that span decades, even centuries, full of his own creations as well as reinterpretations of real historical figures and literary characters, Wayne also proves he's extremely capable in telling gripping tales in a short form.  And you an find out how capable in PRO SE PRESENTS #3 in October."

More information will follow as the release date nears for PRO SE PRESENTS #3 in October!

Weird Horror Tales: Light’s End Now Available!

News Release

Cover Art: Keith Birdsong
 Michael Vance’s novel, Weird Horror Tales:Light’s End, is "an amazing, page turning suspense thriller". Artist Eric York turns some ghoulish pages as well.

York is the interior illustrator of Vance’s latest novel. Vance was first attracted by York’s outré, very design oriented, and weirdly beautiful interpretations of the work of world-famous horror writer, H. P. Lovecraft.

"Eric is that rarest of gems," said Vance, "an original. Since we share a love for Lovecraft’s prose, York’s style seemed a perfect choice for the last novel in my Weird Horror Tales trilogy that was also influenced by Lovecraft’s genius. I was overjoyed by his "deviant" art for my novel!"

York’s distinctive art has also appeared in books, fanzines, and comics including The Fantastical Worlds of H.P. Lovecraft, The Shadow Over Santa Susana, Malafact, Besmirched, Terminal Brain Rot and many others.

"I drew the cover for another of Michael's books a few years ago [that was published in England]," wrote the artist. "I enjoy his subdued style of horror as well as his creepy locale of Light's End. I've always been
into stories using the common setting of sinister old, small towns, and thought this would be a nice change to collaborate with Michael again. Plus I wanted to draw his morbid old degenerate, Jake Horne."

York also self-publishes under his Maggot Global Publishing imprint and has published Hungry Maggot, Vermis Rex, Tillinghasts’ Moribund Fairy-Tales, Eldritch Pulp Adventure, the Erebus Tarot, as well as the upcoming Zygote’s Fables, and his 100 plus page graphic novel adaptation of H.P. Lovecraft’s collection of poems, Fungi From Yuggoth. More than 500 examples of his artwork are available at

Art: Eric York
With the help of several additional artists, Vance unleashes his dark imagination in each of the three books of his Weird Horror Tales trilogy. Often compared to the writings of H.P. Lovecraft and Ray Bradbury, Vance’s work is not for the faint of heart. Weird Horror Tales: Light’s End features a cover by famed painter, Keith Birdsong.

The publisher of the Weird Horror Tales trilogy, Cornerstone Book Publishers also publishes Masonic and esoteric books, selected pulp fiction, art literature, limited children's books, and poetry collections. All three Weird Horror novels are available on-line, at book stores, from Cornerstone, and as E-books. For more information about Cornerstone, go to

Airship 27 packages and publishes anthologies and novels in the pulp magazine tradition.

In addition to Vance’s Weird Horror Tales, Weird Horror Tales: The Feasting, and Weird Horror Tales: Light’s End, Airship 27 has released Sherlock Holmes: Consulting Detective, a series of "Captain Hazzard" pulp thrillers, more pulp fiction in The Green Lama and Secret Agent X. For more information on Airship 27, go to

ISBN: 1-613420-14-5 ISBN-13 978-1-613420-14-0
Digital copy available

Weird Horror Tales, Weird Horror Tales: The Feasting, and Weird Horror Tales: Light's End are now available at Amazon, Barnes and Noble, and other bookstores. Best price for traditional book is from Cornerstone Book Publishers at ( For electronic version, go to:

Go to for FREE photographs of Light's End, comics reviews, and much more!!

Tuesday, September 27, 2011

12 Gauge Comics October Pulpy Offerings

Coming in October from 12 Gauge Comics.

THE BOONDOCK SAINTS, VOL. 1 TP: “In Nomine Patris”Writers: Troy Duffy and J.B. Love
Artist: Guus Floor
152 pages
Launching out of the wildly successful film franchise — THE BOONDOCK SAINTS and THE BOONDOCK SAINTS II: ALL SAINTS DAY — this inaugural comic book collection chronicles the first story to take place outside of the cult-hit films. Written by BOONDOCK SAINTS creator/writer/director TROY DUFFY and comic scribe J.B. LOVE, the “In Nomine Patris” saga is the perfect companion to the films.
Discover the true story behind the original saint, Noah MacManus (IL DUCE), and his bloody war against New York’s 1960s Underground Crime world.
And what of the beloved MacManus Brothers? For the first time ever, Troy Duffy reveals some of what happened between the films, as well as the brother’s journey to uncover the full extent of their family’s legacy of violence, leaving a path of vengeance in their wake!
Including a foreword by Connor MacManus himself– actor SEAN PATRICK FLANERY– never-before-seen art, a cover gallery, all six comic issues, and more— this all new chapter in the Boondock Saints Saga is what the fans have been waiting for! Don’t miss it!

ICE #4 (of 4)Writer: Doug Wagner
Artist: Jose Holder
Cover Artist: Brian Stelfreeze
Colors: Michael Wiggam
* Bonus co-feature by Doug Wagner and Brian Stelfreeze
32 pages
The battle for simple justice has turned deeply personal for ICE agent Cole Matai, who has left his badge in the states and illegally crossed the border into Mexico, seeking only revenge after the shocking events of the last issue.
With his goal being to finish off Luis Morales once and for all, Cole takes the battle straight to the most ruthless criminal he’s ever encountered. Two men, two knives, and a battle for the ages. It has all led to this….ICE #4 will not disappoint!

LOOSE ENDS #4 (of 4)Writer: Jason Latour
Art and Cover: Chris Brunner
Colors: Rico Renzi
24 pages
“With guns drawn, the deadly crime lord Batista charges toward the seedy Miami hotel room where Detective Rose’s plot is finally hatched. It seems that the only person standing between Sonny, Cheri, and this vicious gangster is the treacherous Detective Flynn and his facility for murder and violence. Or is he?
Join us for all this and more, as we draw the blinds on our shocking conclusion.”
LOOSE ENDS is a gritty, slow cooked, “southern crime romance”, that follows a winding trail down Tobacco Road, through the war torn streets of Baghdad, and into the bright lights and bloody gutters of South Florida…12-Gauge style.

COUNTRY ASS-WHUPPIN’: A Tornado Relief Anthology (One-Shot)Writers: Jason Aaron, Sean Patrick Flanery, Doug Wagner, Nathan Edmondson, and others
Artists: Jason Pearson, Brian Stelfreeze, Jason Latour, Rebekah Isaacs, Tony Shasteen, and others
Cover A: Cully Hamner
Cover B: Kody Chamberlain
48 pages
On April 27, 2011 a string of deadly tornados ripped across the southeastern United States, with the brunt of the devastation focused on the state of Alabama.
In an effort to help some of the victims who are still putting their lives back together, many of the finest comic creators working in the industry today, all with roots or ties to the south, have banded together and donated their time for a uniquely southern anthology: COUNTRY ASS-WHUPPIN’.
The stories have one thing in common– they are all about people in the south kickin’ ass or getting their asses kicked. Enjoy both tall-tales and true stories, told by some of the best in the business; including Jason Aaron (X-MEN: SCHISM, WOLVERINE), Sean Patrick Flanery (BOONDOCK SAINTS), Cully Hamner (RED, BLUE BEETLE), Brian Stelfreeze (ICE, WEDNESDAY COMICS), Rebekah Isaacs (IRON AGE, ANGEL & FAITH), Jason Pearson (ASTONISHING X-MEN, DEADPOOL), Nathan Edmondson (WHO IS JAKE ELLIS?) and many more. Don’t miss this celebration of southern culture, while having fun and helping those in need.
100% of the proceeds from this book will go directly to the Red Cross Disaster Relief Fund, so please ask your retailer to reserve your copy today!

To see all of 12 Gauge Comics' offerings, visit

IPulp Fiction Debuts Exclusive New Death Angel Story by Mike Bullock

Death Angel, a New Pulp character created by Mike Bullock, debuted in the pages of Phantom: KGB Noir #1 from Moonstone books in 2010. Soon after, Death Angel's adventures paired her with pulp fiction legend The Black Bat, but through it all, Death Angel has always been a bit of a loner.

Now, the vigilante returns in a brand new solo adventure. iPulpfiction has the exclusive debut of the first chapter of this new serialized romp through the darkness that blankets not only this city, but the minds of those who walk it's streets.

You can grab a copy of the first chapter of the new Death Angel story, In My Dominion for only $.50 at

Stalking the alleys of a crime infested metropolis. Armed with a scientifically enhanced suit and the ability to create illusions in the minds of the wicked, Death Angel has sworn to exact vengeance on those who would victimize the innocent. Follow the exploits of the dark avenger at iPulp.

In My Dominion:

Having been born into money and married to a wealthy businessman, Ellen Fromme was used to the finer things in life. She had little interest in her husband's business. She only cared about the luxuries his earnings brought to their life.

She should have paid more attention...

The first chapter of New Pulp Author Mike Bullock’s new Death Angel story, In My Dominion is available for only $.50 at

Dark Horse Comics October Pulpy Offerings

Coming in October from Dark Horse Comics.

John Warner (W), Bruce Jones (W), George Kashdan (W), Gene Fawcette (P/I), Al Williamson (P/I), Carlos Garzón (P), Al McWilliams (P/I), Frank Bolle (P), and Rick Veitch (C)
On sale Dec 28
FC, 280 pages
HC, 6 5/8" x 10 3/16"
Flash Gordon—hero of Mongo, gentleman scientist, two-fisted fighter, and now savior of the universe! Join Flash, the lovely Dale Arden, and Dr. Zarkov as they make a last desperate stand against alien monsters, corrupt kings, ravenous sharks, and the ultimate supervillain, Ming the Merciless! This volume collects Flash Gordon #28–#37, plus the three-issue adaptation of the cult favorite Flash Gordon movie!
• Introduction by Michael T. Gilbert.

Gaylord DuBois (W) and Jesse Marsh (A)
On sale Jan 4
FC, 224 pages
HC, 7" x 10"
Tarzan faces his most harrowing adventure yet when his treehouse is targeted and destroyed by slavers, who kidnap Jane and Boy! This volume sees Tarzan battle lion-sized wasps, outwit ivory poachers, brave giant spiders to find desperately needed medicine, become stranded in the Valley of Monsters, and even track a murder cult for the British government. Reprinting Dell’s Tarzan #47–#51, from 1953, for the first time.
• Introduction by PictureBox’s Dan Nadel.

From the pages of Hellboy!
Mike Mignola (W), John Arcudi (W), James Harren (A), Dave Stewart (C), and Dave Johnson (Cover)
On sale Oct 26
FC, 32 pages
Abe Sapien’s investigation of a demonologist gets gory when, at the mercy of a malformed beast, he stumbles upon the secret of a rotten family tree—the roots of which, he may never escape.
• Abe loses his mind in this early adventure!

Liz’s origin revealed!
Mike Mignola (W/Cover), John Arcudi (W), Scott Allie (W), Richard Corben (A), Ben Stenbeck (A), Karl Moline (P), Guy Davis (A), Andy Owens (I), and Dave Stewart (C)
On sale Dec 14
FC, 152 pages
TP, 7" x 10"
In these terrifying tales of witchcraft and the undead, Abe, Roger, Liz, and Johann learn the ropes as agents of the Bureau For Paranormal Research and Defense! Abe copes with survivor’s guilt, Roger goes on his first adventure with Hellboy, Liz tells the story of how she killed her family, and Johann Kraus dies!
• A standalone collection that’s perfect introduction to these bizarre heroes.

The vault of horrors!
Mike Mignola (W), John Arcudi (W), Tyler Crook (A), Dave Stewart (C), Dave Johnson (Cover)
On sale Oct 19
32 pages
In the vault of the Russian Occult Bureau’s headquarters is a man chained down and heavily monitored. When Kate and Johann are brought in for assistance, the zombie director of the Russian bureau pits them against the possessed prisoner!

Vampire nuns, giant snake gods, and the occult!
Mike Mignola (W/Cover), Christopher Golden (W), Ben Stenbeck (A), and Dave Stewart (C)
On sale Oct 12
FC, 32 pages
A bloody ritual climaxes in a terrifying rebirth, as Lord Baltimore battles against the twisted "blessing" of vampiric nuns and an insane occultist.
• A horrifying new take on vampires!
• By Mike Mignola (Hellboy) and Christopher Golden (Buffy the Vampire Slayer).

Mike Mignola (W/Cover), Christopher Golden (W), Ben Stenbeck (A), and Dave Stewart (C)
On sale Dec 21
FC, 144 pages
TP, 7" x 10"
After a devastating plague ends, Europe is suddenly flooded with vampires. Lord Henry Baltimore, a soldier determined to wipe out the monsters, fights his way through bloody battlefields, ruined plague ships, exploding zeppelins, and submarine graveyards, on the hunt for the creature who’s become his obsession.
• First time in paperback!
• By Mike Mignola (Hellboy) and Christopher Golden (Buffy the Vampire Slayer).

Herb Castle (W), Gil Kane (A), and Frank Springer (A)
On sale Dec 14
FC, 216 pages
HC, 7" x 10"
A freak accident with an electrical tower affected Matt Price’s brain while he was still in the womb. Ever since, he’s had mysterious powers—telepathy, levitation, and mind control. Naturally, the government recruited him straight out of high school, and now he battles mad dictators and thawed-out dinosaurs as Brain Boy!
• Introduction by Batton Lash.

Roy Thomas (W), Dan Panosian (A), Dan Jackson (C), and Aleksi Briclot (Cover)
On sale Oct 19
FC, 32 pages
Beneath the city of Tarantia, Conan, his allies, and the child in his care are at the mercy of a horde of zombie Hyborians, while above their heads an even greater menace reveals itself! If they survive the catacombs, can Conan and his charges withstand a siege of the city?

FEAR AGENT #32: OUT OF STEP part 5 (of 5)
Rick Remender (W), Mike Hawthorne (P), Tony Moore (P/Cover), and John Lucas (I)
On sale Nov 2
FC, 32 pages
The creative team that came together on Fear Agent reunite for the stunning conclusion!
• From Uncanny X-Force and Venom scribe Rick Remender!

David Lapham (W), Gabriel Guzman (P), Dan Jackson (C), Jo Chen (Cover), and Stephanie Hans (Variant cover)
On sale Oct 12
FC, 32 pages
Few women in all the Seven Kingdoms can equal the beauty of Delcardes, but Kull is more interested in her traveling companion—the cat, Saremes. It is rumored that Saremes is of the old race and Kull is anxious to hear her counsel. The Hate Witch is dead but the serpent cult are rallying under a powerful wizard. In order to protect the people of Valusia, Kull must unravel the mysteries of this wise and ancient creature.
• Kull vs. his greatest foe: THULSA DOOM!

KULT #4 (of 4)
Jeremy Barlow (W), Iwan Nazif (A), Michael Atiyeh (C), and Jake Murray (Cover)
On sale Oct 5
FC, 32 pages
The illusion is pierced! The hellish real world is revealed! The final battle for humanity has begun! But with the power to reshape the world and his allies helpless to stop him, has Tomas Zenk been the true danger all along?
• Inspired by the legendary RPG!
• For fans of The Matrix and Hellraiser!

Arnold Drake (W), Paul S. Newman (W), John Warner (W), Jose Delbo (A), and Jack Abel (A)
On sale Dec 21
FC, 224 pages
HC, 7" x 10"
In a world of monsters and scavengers, Samson continues fighting his way across a wasted future America, searching for hope and dishing out justice. With his beautiful companion, her brilliant father, and a rogue’s gallery of foes, Samson and his team are constantly bombarded with danger! This volume collects Mighty Samson issues #25-#31 and Gold Key Champion #2 and features an introduction by Samson artist Jose Delbo.
• Collects material unavailable anywhere else!

David Lapham (W), Paul Tobin (W), Jeremy Barlow (W), Wellinton Alves (A), Joshua Williamson (W), Patric Reynolds (A), Cobiaco (A), Tony Parker (A), Gerald Parel (Cover), and others
On sale Oct 26
FC, 80 pages
Paul Tobin and Wellinton Alves conclude their Conan adventure, David Lapham and Fabio Cobiaco tell a high-seas adventure featuring King Kull’s right-hand man Brule, Jeremy Barlow and Tony Parker adapt a cowboy adventure by Howard, Joshua Williamson and Patric Reynolds them up to revive Howard’s gritty detective Steve Harrison, and we bring you part one of the classic graphic novel Kull: The Vale of Shadow!

Jim Shooter (W), Eduardo Francisco (A), James Harren (C), and Raymond Swanland (Cover)
On sale Jan 4
FC, 96 pages
TP, 7" x 10"
The American Southwest, 1428. Turok, a wandering warrior, rescues young Andar from death at the hands of the ruthless Maxtla and his Aztec horde. Turok and Andar seek refuge in a vast cavern, where an otherworldly force sweeps them and their pursuers to a savage, timeless land of rampaging dinosaurs and unimagined wonders. Hunted in a world of danger and death, Turok and Andar fight to survive—and to find a way home.
• Collects issues #1-#4 of the new Turok series.

For a full listing of Dark Horse’s October Release, visit them at