ALL PULP PAGES

Friday, October 7, 2011

PULP! PULP!! AND MORE PULP!!! plus so much more from Radio Archives!




RadioArchives.com Newsletter



October 7, 2011

NEW Radio Set: Claudia, Volume 6


Since the inception of the soap opera on radio, various things have been part and parcel of that genre; melodrama, tear jerking storylines, scandal and rumor, and enough deceit to fill a bathtub. In 1947, however, a new twist on that formula hit the airwaves thanks to the sponsorship of Coca Cola. And this new take on soap operas had a name. Claudia.
 
"Claudia" told the tale of Claudia and David Naughton, newlyweds, just beginning their married life. Young, enthusiastic, and very much in love, they weren't suffering from any medical problems, suspicions, or ungrateful children. Instead, they were simply facing the many challenges of any new marriage in the years following World War II - finding an apartment, getting used to each other's quirks, and learning to live together as husband and wife.
 
The very elements that made Claudia different from other soap operas quickly became its strengths. There were very few "tune in tomorrow" hooks that most soaps used to lure listeners back. People came back to "Claudia" for the interesting, fully developed characters, the lighthearted banter, and the familiarity of their day-to-day situations.
 
Based on the literary works of Rose Franken, "Claudia" began as short stories. Immensely popular, those grew into a series of best selling novels and then in 1941, were adapted into a Broadway play, with a young actress named Dorothy McGuire in the title role. Claudia was a breakout role for McGuire; one that brought her to Hollywood to reprise the role in the 20th Century Fox film version, released in 1943 and co-starring Robert Young as David. Based on that film's success, 1946 found them together again in "Claudia and David," a sequel to the earlier film. Due in large part to the success of the two "Claudia" movies, in 1947, the D'Arcy advertising agency decided to bring the characters to radio in a five-a-week quarter-hour serial on behalf of its client, Coca-Cola. This was the third attempt to bring the story of Claudia to radio and would be followed by a try as a TV series as well.
 
Due to the diligent work of Radio Archives, all 390 episodes of the series, which had an eighteen-month run, have been located and preserved to the highest standard. This sixth volume of 24 episodes continues on where the others left off, marching through Spring and toward the start of Summer 1948. Heard today, "Claudia" remains wonderful entertainment, notable for both its lighthearted tone and the believable interplay between its characters and will make a fine addition to any Old Time Radio Fan's collection! Order your 6 Hour CD set today for only 17.98 or Download the entire volume for $11.98! Only from Radio Archives!
 
 
 
Radio Archives, well known for high quality audio collections, introduces a new category of Old Time Radio! Are you a fan of fast paced, action packed adventures? Do you enjoy larger than life heroes, over the top villains, and impossible plots and schemes? Whether or not you're a Mystery, Western, Science Fiction,or simply a fan of Adventure and Suspense, Radio Archives has what you're looking for in its new category, Pulp Radio!



Pulp means many things to many people. Historically, Pulp refers to fiction magazines that were printed on cheap wood pulp paper. The paper was coarse with rough edges. Publishers found this cheaper to produce and began turning out magazines that ran around 128 or so pages and only cost a dime. For ten cents, readers could encounter far away lands, lost civilizations, thugs with guns, cowboys and Indians, and anything else fiction writers of the day came up with.



Although first introduced in the 1890s, Pulp magazines really came into their own in the 1930s and 40s. This was due in large part to the popularity of what have come to be known as the Hero Pulps. Take a poll today on what Pulp heroes the public remembers, any that have a clue what Pulp is will likely say, "Doc Savage" or "The Shadow" or "The Spider." Well-versed armchair fans might even rattle off "The Black Bat" or "The Avenger." Hero Pulps provided readers with stories about ideal men fighting for right and justice against insurmountable odds.



Although Hero Pulps are the most fondly remembered by some, Pulp magazines provided the stage for so many other genres. Nearly regardless of a reader's taste in fiction, it could be found in a Pulp magazine. Western, Action Adventure, Sports, Mystery, Crime, Horror, Fantasy, Science Fiction, even Romance Pulps dominated newsstands and kiosks all over America. That is, until the early 1950s when for various reasons, Pulp magazines faded from view
.



In an effort to explain why Pulp has had the impact it has, many have come up with definitions of what Pulp is. Most include Pulp being fast paced and plot oriented with clearly defined, larger than life protagonists and antagonists and creative descriptions, clever use of turns of phrase and other aspects of writing that add to the intensity and pacing of the story. Any of that sound familiar, radio Detective fans? Or how about those of you who enjoy a good frontier shootout on your favorite western show? Looking at that definition, it is clear that Pulp had not only an impact on later mediums, but definitely shared characteristics with a source of entertainment that experienced its golden age simultaneously with the Pulps. That entertainment that we now call Old Time Radio.



Like Pulp, Old Time Radio covers many genres and many styles of storytelling. There are shows, though, that fit squarely into what many would consider to be Pulp. Detective programs, particularly, fit the model extremely well. In the space of a little over twenty minutes, radio writers had to introduce the detective, establish the cast of characters, set up the mystery to be solved, throw in one or two red herrings or a fight scene, and then resolve everything. These detectives were tough, heroic men and stood out in one way or another, like Richard Diamond and his singing, Johnny Dollar and his expense account, or Nero Wolfe and his eccentricities. And the bad guys, always some grand plan to dupe money out of someone or even larger schemes. Some would call stories like that plot oriented, fast paced fiction with larger than life heroes and villains. Here at Radio Archives, we call it Pulp Radio.



And Pulp Radio doesn't stop at hard-boiled gumshoes, either! Western lawmen and the desperadoes they tangled with week in and week out on the radio rode the same trails as their Pulp cowboy counterparts. Astronauts and aliens on the airwaves fit the bill for larger than life and fast paced! And even characters that first found life in the Pulps lived even longer thanks to Radio. Pulp Radio is full of mayhem and monsters, good and evil, and stories that still today ring true with Fans of great Heroic Fiction of any medium.



Titles that you'll find in Radio Archives' Pulp Radio section include:




The New Adventures of Michael Shayne - Jeff Chandler's rugged voice adds to the pace and intensity of this Pulp type detective program from beginning to end, bringing Brett Halliday's fictional detective to explosive life!



The Shadow of Fu Manchu - Sax Rohmer's Villain of All Villains continues his life of Tyranny and Evil in this relentlessly fast paced radio show!



The Planet Man - This Sci-Fi show definitely walks the line between Camp and Pulp, but has all the ear markings of excitement, over the top characters, and life and death situations it needs to be Pure Pulp!



Luke Slaughter of Tombstone - Westerns, prime Pulp territory, shined just as brightly in Radio's Golden Age. The adventures of Luke Slaughter have all the toughness, six guns, horses and outlaws that it takes to make a Western tale great Radio Pulp!




If you're a Pulp fan looking for something that sounds like what you love to read, then the shows in Radio Archive's Pulp Section are just what you've been after. The fact that aspects of Pulp can be found in Old Time Radio adds a whole other level of enjoyment for Pulp Fiction readers. Not only can you get the visceral excitement of following adventure on the written page, but you can hear stories in the same vein, tales that make your heart beat faster and even sometimes make your blood run cold. Rapid fire dialogue and matching action, characters that fire the imagination, and everything else you love about Pulp can be found in the shows in Radio Archive's Pulp Radio!
 
And if you're an Old Time Radio enthusiast intrigued by fast paced, exciting adventures, then you've come to the right place! Detective fans that peruse this new section may find that the same elements that appeal to them in their whodunits also are part and parcel to frontier tales and space operas. Likewise, cowboy aficionados might find just as much pistol shootin' and desperadoes in a mystery or crime show! Not convinced yet? Then hear for yourself by picking up one of the collections in Radio Archives' Pulp Radio section today!
 
'Pulp Radio' is a registered trademark of Roger Rittner Productions, Inc., used with permission.
 
 
 

The Spider Strikes! In First Audiobook



One of pulp fiction's most popular vigilante avengers comes to audiobooks for the first time in Prince of the Red Looters, the first Spider audiobook from RadioArchives.com. Prince of the Red Looters is available now in both a deluxe six-CD set and MP3 digital download.



Producer/Director Roger Rittner says, "Prince of the Red Looters is an astounding accomplishment, wedding dynamic narration from two unique stars of stage and screen, specially selected sound effects, and a complete period music score."



This action-packed story features Nick Santa Maria and Robin Riker narrating and voicing the character parts. "They've done outstanding work in this exciting novel-length adventure of the classic pulp hero, The Spider," Roger says.



In Prince of the Red Looters, The Spider faces one of his most cunning criminal enemies
— The Fly! The Fly's ruthlessly efficient crime organization commits a chain of bold and deadly atrocities on New York City, while The Fly taunts The Spider in a series of ever more dangerous duels.



"The sword fights will have listeners sitting on the edge of their seats," Roger says. "Prince of the Red Looters will be a stunning addition to RadioArchives.com's audiobook line."



Prince of the Red Looters inaugurates Will Murray's Pulp Classics, a new series of pulp-related audiobooks from RadioArchives.com. Each entry in the series is a classic pulp adventures personally chosen by Will Murray, one of the country's foremost experts on all things pulp.



"I'm very excited to present to listeners some of my favorite pulp stories in this engaging format," Will says. "This first Spider audiobook is a grand launch to the series."



Listeners who have previewed Prince of the Red Looters are enthused:



  • "It's excellent. Really held my attention. I think it works wonderfully."

  • "An exceptional job."

  • "The results are amazing."






Prince of the Red Looters is available now in a six-CD set, priced at $19.98, with original cover art and a special bonus audio feature of Will Murray explaining the genesis of The Spider. The audiobook is also available as an MP3 Digital Download, including the special bonus feature, at just $13.98.



"Prince of the Red Looters is a listening experience that will thrill every fan of audiobooks and pulp fiction," Roger says.



Doc Savage Audiobooks Continue to Delight Fans



2011's 'Summer of Doc Savage' continues into the Fall, as RadioArchives.com's first two Doc Savage audiobooks, Will Murray's Python Isle and White Eyes continue to attract and delight Doc fans as well as those just discovering the greatest adventure hero of the 1930s.



RadioArchives.com customer Eugene Dungan says,

"I just wanted to let you know that I have really enjoyed your two Doc Savage audiobooks, Python Isle and White Eyes. Please tell all your people to keep up the great work. I am looking forward to buying all of the audiobooks that you come out with."



Python Isle, narrated by Michael McConnohie, and White Eyes, narrated by Richard Epcar, are available in impressive CD sets, as digital downloads, and also in special Signed Director's Editions.



 
The legendary Master of Men returns in two classic stories from the 1930s. First, a spider should be able to catch a fly, but this particular Fly has other plans in mind! In "Prince of the Red Looters" (1934), you'll join Richard Wentworth as he battles a criminal mastermind more lethal, more ruthless than any he has encountered before. So confident is the Fly of his own abilities that he dares challenge The Spider himself to a duel - to the death! Then, in "The City That Dared Not Eat" (1937), New York City staggers under a vicious crime wave aimed at controlling the very food supply! Mass murder, wholesale poisoning -- nothing is beyond the maniac leading a gang of ruthless killers in their battle for supremacy. While The Spider matches guns and wits against an army of crime, the city starves! These two exciting pulp adventures have been beautifully reformatted for easy reading and feature both of the original full color covers as well as interior illustrations that accompany each story. Available from RadioArchives.com for only $14.95.
 
NEW Pulp Fiction Reprints

In a world where evil and danger loomed at every corner, a time when no one knew what might be waiting for them in the dark, a place where the future was in no way certain, a trembling populace reached out for an escape and found it in Pulp Magazines! That same doorway to Adventure, those tales of Heroes tried and true are available still today as classic pulp novel reprints from Radio Archives! Need a break from your reality? Find it in Pulp Fiction here at Radio Archives!

Spider Pulp Doubles #21

The Spider fights his way through two classic tales! First, The Spider squares off with The Corpse Broker! For a ten percent commission on murder, the Master of the Green Death guarantees immunity from the police! The Spider sets out to stop wholesale slaughter that turns the dead green! Next, The Spider marches against the Volunteer Corpse Brigade! Deadly plague-germs are used against the nation as Smiler Miordan crushes all who oppose him. The Spider, himself stricken with the virus, takes on the criminal Underworld Union! All of this available for $14.95 from Radio Archives!




Doc Savage, Volume 51: Halloween Special

The Pulp Era's legendary superhero follows terror trails in two classic thrillers. First, the Man of Bronze journeys to "The Land of Fear" to discover the deadly secret behind the "skeleton death" that dissolves human flesh to the bone. Then, a grisly vampire murder in the lobby of his own headquarters building leads Doc Savage and his beautiful cousin Patricia in pursuit of "The Fiery Menace." Enjoy these tales and extra features for only $14.95 at RadioArchives.com
 
The Knight of Darkness investigates deadly vampire attacks in two heart-stopping chillers and a classic radio mystery! First, the Shadow must battle a giant vampire bat and enter the dangerous "Garden of Death" to discover the secret behind a deadly drug monopoly. Then, The Shadow enters haunted Haldrew Hall to investigate "The Vampire Murders" in a sequel to the legendary Victorian thriller, "Varney the Vampire." BONUS: "Vampires Prowl by Night," a lost thriller from the Golden Age of Radio! All of this and more available now for $14.95 from RadioArchives.com.
 

Review of "The Land of Terror" from Doc Savage, Volume 14
By Dr. Art Sippo
 

Doc Savage's old chemistry tutor, Jerome Coffern, asked him to dinner to seek his help. While waiting for Doc to arrive, Dr. Coffern is assaulted and struck dead by a heavy led pipe. His attackers use an air pistol to fire a hollow metal capsule onto the body and a strange reaction ensues. The body along with the lead pipe and part of the sidewalk disintegrate into a vile cloud of gray ash. All that is left is Coffern's left hand and the wrist watch that Doc Savage gave him. When Doc arrives mere moments later, he finds this and he immediately sets out to avenge his teacher.



The evil mastermind Kar discovered an irresistible weapon: the Smoke of Eternity. It is a universal solvent that can destroy flesh, metal, even stone. Jerome Coffern knew the secret of this new weapon and was going to reveal it to Doc but he was brutally assassinated before he could. Now Doc and Kar begin a life and death struggle. They will battle to a standstill in New York and the body count rises as the stakes get higher.



Doc traces the secret of the Smoke of Eternity to a recent expedition to the Indian Ocean in which Jerome Coffern and another chemist, Gabe Yuder, were joined by adventurer Oliver Wording Bittman. Bittman was a friend of Doc's father who saved Clark Sr.'s life by killing an African lion on safari. The three men found a strange volcanic land they called Thunder Island studded with minerals unknown elsewhere on earth and harboring all manner of extinct monsters including dinosaurs, flying reptiles, and enormous mammals. This is the most foreboding place on Earth. Doc saved Bittman from Kar's henchmen and allowed him to join in the expedition back to Thunder Island. Gabe Yuder is the only one of the three that is unaccounted for and it seems that he is the villain Kar. Doc and his men travel to Thunder Island and confront danger on all sides, including a battle with a Tyrannosaurus Rex!



This is the second Doc Savage story in the original print order and it hit the newsstands in March 1933. It remains one of the best. Doc has not developed his code against killing at this point and he takes out several villains spectacularly. It should be noted that this story was on the newsstands the month before the movie King Kong which opened on 7 April 1933.



Own Land Of Terror today in Doc Savage Volume 14 for only $12.95 here at RadioArchives.com!



 

Deal of the DayHigh quality Audio, Pulp, and Classic DVDs! And at a fantastic price! Why, that's the Radio Archives Deal of the Day!



The Deal of the Day is actually Three Deals at All Times! No limits! No minimum amount! Simply Great Products at Unbelievable Prices!



Every Day a Different Item is available at 10% Off.


If you're into Pulp, Tuesdays and Thursdays are the days to pick up a great Pulp deal at a 10% discount!



For The Next Two Weeks Only - 10 Hours of Radio's Greatest Shows for 25% off!

Discover the magic of radio's Golden Age with this handpicked selection of shows. Your mind's eye will come alive with timeless mystery, comedy, science fiction and detective shows. Experience the greatness of the Nelson Family, Don Ameche and Francis Langford, as well as the genius of Ray Bradbury, Willis Cooper, Orson Welles, Jack Webb, and many more in this ten hour collection.



The Adventures of Ozzie & Harriet, The Aldrich Family, Baby Snooks, Beulah, The Bickersons, Big Town, The Bill Stern Colgate Sports Reel, Boston Blackie, Night Beat, Casey, Crime Photographer, Dimension X, X-Minus One, The Fred Allen Show, The Great Gildersleeve, Inner Sanctum Mysteries, Lights Out, The Lux Radio Theatre, Orson Welles Meets H.G. Wells, Pat Novak, For Hire, The Saint, The Unexpected, Lights Out. And it can be yours for $22.49, 25% off the regular price until October 20th at RadioArchives.com!



October Deal Of The Month - Bing Crosby: Screen Legends Collection for
50% off

Actor and crooner Bing Crosby had a rich, long film career and this collection features some of the best of his lesser-known films. Crosby is joined by costars such as Anthony Quinn, Joan Blondell, Gloria Jean, Betty Hutton, and more! And Bing lends his voice to such classics as "Sweet Leilani," That Old Black Magic," "Ac-cent-u-ate the Positive," and many others! The collection is a great cross-section of Crosby's career and shouldn't be missed by fans of him or of American films of the 1930s and 1940s. The movies included are:

Waikiki Wedding (1937, directed by Frank Tuttle)

Double or Nothing (1937, directed by Theodore Reed)

East Side of Heaven (1939, directed by David Butler)

If I Had My Way (1940, directed by David Butler)



For the month of October this classic collection of Crosby films is half price at $13.49 from Radio Archives! Look for the yellow 'Deal Of The Day' price tag in the upper right hand corner of the home page and click it for a great deal Every Single Day from RadioArchives.com!

 
Comments From Our Customers!
 
D. Ernie Frick:
Your news letter is awesome.
 
Charles T. St. George:

I was just thinking how far Radio Archives has come since the days of snail mail. You deserve all the credit for making the right changes.
 
If you'd like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We'd love to hear from you!
 

The products you've read about in this newsletter are just a small fraction of what you'll find waiting for you at RadioArchives.com. Whether it's the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you'll find hundreds of intriguing items at RadioArchives.com.
 
If you no longer wish to receive our newsletter, or if this newsletter has been sent to you in error, please reply to this e-mail with the subject line UNSUBSCRIBE and your name will immediately be removed from our mailing list.

Here Comes Space Kid!

Space kid - honorary deputy of the Space Patrol!

Space Kid! is a pulpy, old-school, retro-sci-fi, all-ages fun-and-adventure weekly webcomic by John MacLeod. Launched in June 2010, Space Kid is a weekly web comic with a new page posted every Sunday -- all previous pages are still up and easily viewable so you can read Space Kid's adventures from the beginning at http://www.spacekidcomics.com/.

If you like your sci fi mixed with pulpy fun, then give Space Kid a shot.

About Space Kid:

Welcome to the 26th century — as viewed from 1950.













Space Kid! was inspired by artist John MacLeod catching sight of a graphic on a T-shirt: a retro-cartoony style drawing of a big-headed boy in a classic retro bubble-helmet spacesuit. That drawing suddenly triggered a huge wave of flashbacks to the sci-fi junk from the 50s and 60s that he grew up on and loved. Things like The Jetsons, Adam Strange, Marine Boy, Magnus: Robot Fighter, most of the Supermarionation shows, the Legion of Super-Heroes, Perry Rhodan, and other Googie visions of the future that saturated the pop culture of those days, and which he found so much fun and so terribly exciting as a kid. And more flashbacks, to things from the old days which he didn’t discover until much later, like the 50s sci-fi work of Osamu Tezuka and Cyborg 009 and Star Blazers and Dan Dare. According to MacLeod, You will find echoes of all these [and probably lots more] in Space Kid!



You can read the adventures of Space Kid at http://www.spacekidcomics.com/.

Thursday, October 6, 2011

New Pulp’s Pulp Magnet Interviews Bobby Nash

Bobby and a few of his book covers.
New Pulp Author Bobby Nash was interviewed by New Pulp for Garrison James’ Pulp Magnet column. The interview covers the pulps, comics, writing, and everything in between. You can read the interview at http://www.newpulpfiction.com/2011/10/pulp-magnet-interview-with-bobby-nash.html

While you’re there, please check out the rest of New Pulp’s fantastic columns at http://www.newpulpfiction.com/.

Wednesday, October 5, 2011

NEW KUTTNER COLLECTION FROM HAFNER PRESS!

THUNDER IN THE VOID by Henry Kuttner is a massive collection of 16 vintage Space Opera stories selected from classic pulp magazines such as Weird Tales, Marvel Science Stories, Astonishing Stories, Super Science Stories, Super-Detective, and of course, Planet Stories. Most of the these are appearing in book form for the first time. An added bonus, Haffner Press is pleased to include an unpublished story by Kuttner, "The Interplanetary Limited."

Prior to his marriage to fellow science-fantasy writer Catherine L. Moore in 1940, Henry Kuttner wrote stories of Lovecraftian horror, weird-menace "shudder" tales, and thrilling adventure stories. But he also wrote blood-n-thunder Space Opera stories in the vein of Edmond Hamilton (one of young Kuttner's favorite authors) told with a rough-edge style similar to Kuttner's protege Leigh Brackett.

Award-winning author (and the only writer to stage a live performance of a Kuttner Space Opera story) Mike Resnick contributes an introduction reflecting on his admiration for stories by Kuttner (and Moore).

THUNDER IN THE VOID is scheduled for a mid-November 2011 release.

Table of Contents
Introduction by Mike Resnick
*Raider of the Spaceways  (Weird Tales, Jul ’37)
Avengers of Space  (Marvel Science Stories, Aug ’38)
The Time-Trap  (Marvel Science Stories, Nov ’38)
*The Lifestone  (Astonishing Stories, Feb ’40)
*Monsters of the Atom  (Super-Detective, Apr ’41)
*Red Gem of Mercury  (Super Science Stories, Nov ’41)
*The Crystal Circe  (Astonishing Stories, Jun ’42)
*War-Gods of the Void  (Planet Stories, Fll ’42)
*Thunder in the Void  (Astonishing Stories, Oct ’42)
We Guard the Black Planet  (Super Science Stories, Nov ’42)
*Soldiers of Space  (Astonishing Stories, Feb ’43)
*Crypt-City of the Deathless One  (Planet Stories, Win ’43)
The Eyes of Thar  (Planet Stories, Fll ”43)
What Hath Me  (Planet Stories, Spr ’46)
*Carry Me Home  (Planet Stories,  ’50)
The Interplanetary Limited (first time in print)

*First reprint appearance

1) Single-copy preorders for THUNDER IN THE VOID may be placed on this page:
http://haffnerpress.com/Thunder.html

2) or a copy may be preordered as part of a limited-time combo offer:
Visit www.haffnerpress.com to order THUNDER IN THE VOID by Kuttner with AT THE HUMAN LIMIT, THE COLLECTED STORIES OF JACK WILLIAMSON, VOLUME EIGHT and TALES FROM SUPER-SCIENCE FICTION and receive an exclusive bonus chapbook featuring rare texts and associated ephemera from several contributors to the these three titles.  Shipping is FREE to the Continental USA and we will ship the books as they are published with the chapbook accompanying the release of TALES OF SUPER-SCIENCE FICTION.

AT THE HUMAN LIMIT is already available and selling fast.  We will withdraw this offer when either AT THE HUMAN LIMIT is out of print or we take possession from the bindery of THUNDER IN THE VOID (which is due in November). Don't miss out on this opportunity to get this exclusive chapbook.

Keep Watching the Skies!

Stephen Haffner
Big Poobah
HAFFNER PRESS

All Pulp Interviews - Will Meugniot

Prolific artist Will Meugniot has worked in comic book, animation, picture books, and more. All Pulp recently sat down with Will to talk about his career, his artistic influences, the differences between working in animation and comics, plus his pulp interests.

Click on the art for a larger view.

AP: Tell us a little about yourself and your pulp interests.

WM: I grew up in the 60s. It was a great time to be a kid interested in adventure fiction. Marvel and DC’s superhero revivals spurred many other publishers to enter the field, so you never knew what great comics you’d find when they finally opened the bales at the grocery store.

N.E.D.O.R. Agents
A similar thing happened in paperback books. Ace discovered that some editions of certain Edgar Rice Burroughs books had fallen out of copyright, published them, and triggered a pulp revival, which brought everything from Otis Adelbert Kline to Doc Savage back into print.

Doc was my favorite of the pulp heroes, though I bought as many reprints of The Shadow, The Spider, Phantom Detective and Dusty Ayres as I could find and afford. Related to this, I’m also a big fan of the sound serials and have a collection of most of the non-westerns on DVD.

AP: What does pulp mean to you?

Spider-Man Unlimited Vulture
WM: It means stories which focus on fast paced action in exotic locales and feature larger than life heroes and villains. On a personal note, I grew up in a small farming town and yearned for a larger life full of adventure. The pulp heroes pointed the way, and while I’ve never taken down a globe conquering miscreant, I have had a few interesting overseas experiences in my travels as a producer/director.
AP: When I think of Will Meugniot comics, I think of DNAgents (I’m proud to say I have the entire run) and FemForce. How did you get your start in comics and what is it that excites you about working in comics?
WM: First, thanks for thinking of my comics! So much of my time has been tied up doing animation that I really haven’t done as many comics as I intended.

Tarzan. Dave Stevens inks
I first broke into the comics in the 1970s doing strips for undergrounds like The OK Comics tabloid and ‘ground level’ early direct sales books like Faeiry Star. My big break came when I sent Marvel a batch of sample pages featuring characters which didn’t have their own strips at the time: Guardians of the Galaxy, Ka-Zar, Nick Fury, and the one that paid off, Tigra. I did a couple of issues of that, then Marvel imploded and I was out, but fortunately, Tony Isabella showed Mark Evanier some of my uninked pencils. Based on them, Mark gave me work on the Tarzan and Korak comics he was editing for Edgar Rice Burroughs, Inc. That lasted for almost a year, but Marvel took the Tarzan license and the ERB line was cancelled, which was what sent me into animation.

DNAgents
A few years later, my friend Dave Stevens came by the Marvel animation offices to score some free Xeroxes of his as yet unpublished Rocketeer. (Which was OK with the company, BTW – it was very ‘family’ oriented and Dave had worked for its previous incarnation, DePatie Freleng.) Dave told Rick Hoberg, Russ Heath and me about the new creator-owned comics movement, and got us excited by it. I phoned up Mark to see if he was interested, and that’s how DNAgents and the second phase of my comics career began.
The things I love most about comics are the creative freedom, and the ability to do a piece of art which is identifiably your own. Animation requires you to blend into the style of the series, and by its nature results in work which is largely anonymous by design. I’m thankful and surprised that so many people recognize my work in that field.

Golden Girl
AP: I assume you get this question from time to time, but has there been any consideration of you and Mark Evanier doing more DNAgents stories?

WM: We’ve come close a few times, and I suspect we’ll do something with them in the next few years. Mark and I have stayed friends, but our careers have gone down different paths and it’s rare for us to have a big block of time free simultaneously.

I’m tightly booked for the next year or so with the N.E.D.O.R. Agents, a graphic novel of The Land That Time Forgot, Caspak (written by the great Martin Powell), and it looks like the pilot for an animated series I directed this summer clicked and the show will be in production as well.

The Land That Time Forgot: Caspak. The Step-By-Step Process
Zombie Monkey Monster Jamboree
AP: The Zombie Monkey Monster Jamboree book by you and J. J. Hart looks to be a pulpy fun ride. Tell us a bit about the book and what inspired it.

WM: My friends Shannon Denton and Patrick Coyle started a line of picture books under their Actionopolis imprint and invited me to do one. Zombie Monkey was already written, and I loved the subject matter of boy scouts versus zombified monkies, so of course I said yes! I’ve also illustrated a couple of other children’s books for Actionopolis, Pandora, and my favorite, The Boy Who Cried Wolf. I think you can still get all of them on Amazon.

AP: Where do you, or would you like to, see the comic book industry in 5 or 10 years?

Zombie Monkey Monster Jamboree
WM: I’d like to see it alive! This is a moment of incredible danger and opportunity for the industry. There is a clear shift in the way the medium will be distributed and that is going to ultimately affect its form. I don’t think print is going away, but I suspect we’re going to see a lot more print on demand and print to preorder books with the bulk of the distribution going electronic. Luddite that I am, I’m focusing on print at the moment, just because I love the feel of the physical product.

AP: With the advent of digital comics, the way many read comics has changed. What are your thoughts on digital comics and their impact on the industry and readers?

Pyro-Girl Animation Promo Art
WM: There is a need to adapt to the market, and it’s clear many younger readers prefer reading on a screen. The upside is that distribution costs should be less in the long run. The downside is that many publishers seem to be ignoring their responsibility and need to help the current and very important to the industry’s long term health distribution system with the shift.


Ultimate Avengers 2
AP: You’ve produced and directed several animation projects from The Real Ghostbusters, G.I. Joe, X-Men, EXOsquad, Jem and the Holograms, Conan, Captain Planet, Spider-man, Stargate, and more. How did you make the transition from comics to animation and what are the similarities and differences between them?

WM: The shift was an economic necessity for me at the time, and was achieved by dumb luck.
It started when Mark Evanier ran into Don Jurwich, producer of the Super-Friends cartoons. Don knew Mark had done comics and mentioned that Hanna Barbera was looking for artists with comics experience to help on the new action shows they’d sold for the 1978 TV season. Mark suggested I cold call HB and ask about it, so I did. The girl at the switchboard asked me whom I’d like to talk to and I said, "The producer doing the action shows."

FemForce 158
She hooked me up with Doug Wildey (creator of Jonny Quest), which resulted in my being hired as a layout artist on his Godzilla series. Doug was a huge influence and a great teacher. I started drawing storyboards on the side for him, and we both realized that doing boards came naturally to me, so Doug brought me in house as his assistant, handing out and editing boards on Godzilla and Jana of the Jungle. He even let me do the retakes and meet with the clients on some episodes, which was a rare and generous thing. My next boss after Doug was Tex Avery who was the storyboard supervisor on The Thing, a comedy cartoon about Marvel’s Thing. I had great basic training.

Zombie Monkey Monster Jamboree
While they are similar in some respects, film and comics are two different beasts. One of the things I’m really enjoying about my current strips is going back to form with them and using all of the classic devices which are unique to the comic book: varying panel sizes (the aspect ratio is constant in film, but it doesn’t have to be in comics), internalized dialogue via thought balloons (much more fluid that doing a voiceover to convey thought in a film), and even visualized sound effects via display lettering.

AP: Who are some of your artistic/creative influences?

WM: Kirby, Wood, Ditko, Williamson, Colan and Frazetta are the main ones. I particularly admire Wood as an artist/writer.

X-Men Storyboards
AP: What does Will Meugniot do when not making comic books?

WM: Professionally a lot of cartoons, either storyboarding or directing. Privately, I love old movies and non-fiction books about comics, movie serials and biographies. I also like just hanging out with my wife of 40 years, Jo.

AP: Where can readers find learn more about you and your work?

WM: I have a website: http://www.storyboardpro.com of which I’ve been very negligent, but features a lot of my art. My blog is www.maskedmayhem.blogspot.com I write about my interests there.

AP: Any upcoming projects you would like to mention?

Zombie Monkey Monster Jamboree
WM: N.E.D.O.R. Agents is the big one at the moment. It has a 3 page preview in FemForce 156, a 26 page story in FemForce 157, and its own cover and 20 pages of story in FemForce 158. PREVIEWSworld is doing a Facebook promotion with me for the strip. If you ‘like’ their page, you’ll be able to follow the strip there and enter some contests to win original art, too.

AP: Are there any upcoming convention appearances or signings coming up where fans can meet you?

WM: I’m sorting that out now as part of the PREVIEWSworld promotion. Follow them on Facebook for updates about my appearances.

AP: You have served as a writer, artist, producer, and director. Are there any creative areas you’ve not been worked in that you would like to try your hand at doing?

WM: At some point, I’m going to do some low budget live action work as a director. It’s been offered me in the past, but I’ve just been too busy to take it on.

Meet Vanity
AP: And finally, what advice would you give to anyone wanting to work in comics, animation, and/or art?
WM: The main thing is to DO IT. You’re not a writer unless you write. You’re not an artist if you don’t create art. Don’t let your fear of rejection stand in your way of doing.

AP: Thanks, Will.

New Pulp’s Table Talk - It Takes a Village To Own an IP

Welcome back to Table Talk, the weekly column where three authors heavily steeped in New Pulp discuss all sorts of random topics (not always) relating to New Pulp. This week Bobby Nash, Mike Bullock, and Barry Reese discuss the past, present, and future of the public domain and how they view it from both sides of the table. Table Talk - It Takes a Village To Own an IP is now available at http://www.newpulpfiction.com/ or click the title above for a direct link.

Join the conversation. Leave us a blog comment at http://www.newpulpfiction.com/2011/10/table-talk-it-takes-village-to-own-ip.html and let us know your thoughts on this topic.

Tuesday, October 4, 2011

Is this the new Conan comic book creative team?

Art: Becky Cloonan

Art: Becky Cloonan
 Rumor of the Day: Are writer Brian Wood and artist Becky Cloonan the new creators of Conan's comic book adventures for Dark Horse Comics?

Bleeding Cool seems to think so. Check out the article and artwork at http://www.bleedingcool.com/2011/10/03/conan-by-brian-wood-and-becky-cloonan/ and judge for yourself.

Is this rumor true? Place your bets.

'A NEVER ENDING BATTLE'! DOCUMENTARY SET FOR NYCC SCREENING!

NEWS RELEASE 
Contact: Ed Catto
O: 917.595.4107
Ed.catto@bonfireagency.com
FOR IMMEDIATE RELEASE


 New PBS Documentary to Preview at New York Comic Con

“A Never-Ending Battle” Celebrates Comics’ Superheroes
and their Creators

New York, NY  (October 3, 2011)   “A Never-Ending Battle,” the first episode of a new film from the creative team responsible for the award-winning PBS documentaries “Broadway: The American Musical” and “Make ‘Em Laugh: The Funny Business of America,” will be screened in front of an audience for the first time at the New York Comic Con, the East Coast’s largest and most exciting pop culture convention.

Featuring rare footage along with new interviews with legends such as Joe Simon, Stan Lee, Jim Steranko, Neal Adams, Michael Chabon and Jules Feiffer, segments of the first episode – “A Never-Ending Battle: 1938-1954” – will be previewed on Friday, October 14, 2011 at 4PM in Room 1B01 of the Jacob K. Javits Convention Center at 655 West 34th Street in Midtown Manhattan.  An on-stage interview and Q&A with filmmakers and cultural historians Michael Kantor and Laurence Maslon will take place immediately following the screening.

“We’re really excited to preview our film to fans at New York Comic Con,” said Emmy Award winning filmmaker Michael Kantor. “Because so many incredible talents have given us interviews, I think of this screening as kind of like attending six all-star panel sessions at once.  We are also very eager to get fan reactions and feedback.”

“As a comics fan from back in the days of Second Sundays at the McAlpin Hotel, it was a privilege for me to sit down and hear so many legendary creators spin new tales I had never heard before,” added Maslon, the film’s co-writer, as well as an associate professor at New York University’s Tisch School of the Arts. “This documentary series will mark the first time that we’re able to tell the grand epic of the American comic book heroes on a scale that they deserve.”

The event is open to all registered attendees of the New York Comic Con, space permitting, and has been made possible by special arrangement with Ghost Light Films, Inc., Reed POP and Bonfire Agency, LLC.




About “A Never-Ending Battle”

With principal production funding from the National Endowment for the Humanities and the National Endowment for the Arts, “A Never-Ending Battle” is slated to air as the first episode of a three-part series on PBS stations early in 2013.  The series will explore the American art form of the comic book superhero and its complex interrelation with American culture over the last 75 years.  Throughout this period, comic books artists, writers and publishers have unleashed thousands of exotic, bizarre, heroic and seductive adventurers upon the American public; some have become instantly recognizable all over the globe, many have crashed miserably under the weight of their own lack of inspiration—all were created in the hopes that they connect with some aspect of the American consumer.  In this regard, the film explores how the evolution of the costumed crusader reflects our social, political and cultural history.  Fervent fans, casual viewers, and everyone in between will discover much to marvel over in this informed overview of the adventures of America’s most popular genre of historic fiction.

About Ghost Light Films, Inc.
Founded in 1996 by Michael Kantor, Ghost Light Films has produced a range of award-winning documentary films for PBS and cable television that explore the history of the arts in America. Most recently, Kantor served as Executive Producer on “Give Me the Banjo” which was narrated by Steve Martin and will air on PBS on November 4, 2011.  In 2009, Ghost Light created the six-part PBS series, “Make ‘Em Laugh: The Funny Business of America,” which was produced with Thirteen/WNET, New York in association with BBC-TV.  The series, hosted by Billy Crystal and narrated by Amy Sedaris, garnered both critical acclaim and outstanding ratings, earning Mr. Kantor and his co-writer Laurence Maslon, an Emmy nomination. In 2005, Ghost Light Films produced three hours of documentary material to accompany the 40th anniversary release of “The Sound Of Music,” including a documentary hosted by Julie Andrews.  That same year, Ghost Light garnered the Primetime Emmy Award for Outstanding Nonfiction series by co-producing “Broadway: The American Musical” with Thirteen/WNET New York, NHK Japan and BBC in association with Carlton International.  In association with Metropolitan Entertainment, Ghost Light produced “The Lullabye of Broadway: Opening Night on 42nd Street” for PBS, and has produced segments on artists such as Quincy Jones, David Mamet and Arthur Miller for the Bravo cable network and for Thirteen/WNET’s “EGG: the arts show.”  “A Never-Ending Battle” is a co-production with Oregon Public Broadcasting.

About Bonfire Agency LLC
Bonfire Agency LLC is the marketing community’s first advertising and promotional agency specializing in helping brands reach and deepen connections with highly influential, but difficult to engage, pop culture consumers. This demo, labeled by some as geek or comic culture, is comprised of incredibly passionate, tribe-wired fans of everything from comic books, video games and action films to underground music, sci-fi inspired television and cutting edge adult comedy. Bonfire’s mission is to find ways to build relevant bridges between brands and a diverse audience of consumers that just might become their most effective advocates.  The agency was founded in January 2011 by marketing veterans and pop culture specialists Steve Rotterdam (former Senior Vice President of Sales & Marketing at TimeWarner’s DC Comics) and Ed Catto (former Senior Vice President at Ogilvy and Reed Exhibitions). For more information, visit www.BonfireAgency.com.

About ReedPop
ReedPOP is a boutique group within Reed Exhibitions that is exclusively devoted to organizing events, launching and acquiring new shows, and partnering with premium brands in the pop culture arena. ReedPOP is dedicated to producing celebrations of popular culture throughout the world that transcend ordinary events by providing unique access and dynamic personal experiences for consumers and fans. The ReedPOP portfolio includes: New York Comic Con (NYCC), Chicago Comic and Entertainment Expo (C2E2), Penny Arcade Expo (PAX) East & West, Star Wars Celebration V, New York Anime Festival (NYAF), and UFC Fan Expo. The staff at ReedPOP is a fan based group of professionals producing shows for other fans, thus making them uniquely qualified to service those with whom they share a common passion. ReedPOP is focused on bringing its expertise and knowledge to world communities in North America, South America, Asia and Europe.


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The Lone Ranger Returns With A Vendetta

Cover Art: Douglas Klauba
New Pulp Author Howard Hopkins confirmed the announcement on Amazon today that he has written a new The Lone Ranger novel for Moonstone Books. The Masked Rider of the Plains rides again in a gritty tale of the vengeance from out of his past. The paperback preorder price is $4.99 with a great cover by Artist Doug Klauba.

http://www.amazon.com/Lone-Ranger-Vedetta-Howard-Hopkins/dp/1936814153/ref=sr_1_1?s=books&ie=UTF8&qid=1317752878&sr=1-1

The novel is Black Horse Western length, the first in a new line from Moonstone books. Look for Howard’s novel The Golden Amazon: Ripper, Burning Bright coming from Moonstone as well.

About The Lone Ranger - Vendetta:

The Masked Man in a brand-new adventure! From out of the past comes a mysterious killer systematically murdering anyone with a connection to the Masked Rider of the Pains former identity. When all signs point to Butch Cavendish, a man long dead, The Lone Ranger finds himself trapped in a deadly game of cat and mouse with the life of his faithful Indian companion hanging in the balance!

For more on Howard Hopkins, visit http://www.howardhopkins.com/.
For more on Moonstone Books, visit http://www.moonstonebooks.com/.

The Halloween Legion Gets Covered

Art: Thomas Boatwright
Logo: Ver Curtiss
Sequential Pulp has shared Artist Thomas Boatwright's cover to the first HALLOWEEN LEGION graphic novel, entitled "The Great Goblin Invasion" that will be published by Sequential Pulp/Dark Horse Comics in 2012.

The Halloween Legion © Martin Powell.
Artwork © Thomas Boatwright.
Logo by Ver Curtiss.
Cover Design by Michael Hudson.

For more on Sequential Pulp Comics, visit http://www.sequentialpulpcomics.com/
For more on Dark Horse Comics, visit http://www.darkhorse.com/

First Look: Sequential Pulp's Shell Scott

Do you know Shell Scott?

Art: David Enebral and Alejandro Torres Montiel

Art: David Enebral
 Of the art for the new Shell Scott graphic novel, New Pulp Writer, Mark Ellis says, "Here we go...David Enebral's wonderfully atmospheric rendering of Shell Scott...who is apparently realizing anew that the sidewalks of 1960s Hollywood were just as likely to be paved with blood as stars." I think you'll agree our hero, Shell Scott is going to be up to his ears in trouble when our graphic novel, KILL THE CLOWN comes your way.

Shell Scott: Kill The Clown is adapted by Mark Ellis and illustrated by David Enebral for Sequential Pulp/Dark Horse Comics. Coming 2012.

For more on Sequential Pulp Comics, visit http://www.sequentialpulpcomics.com/
For more on Dark Horse Comics, visit http://www.darkhorse.com/
For more on Shell Scott, visit http://www.thrillingdetective.com/scott.html

Monday, October 3, 2011

Meet The Panthans

Cover Art: Mark Wheatley

Cover Art: Matt Wagner
Cover Art: Neil Vokes













The National Capital Panthans, founded in September 1996, are the Washington D.C., Baltimore, Annapolis and Northern Virginia area Chapter of the Burroughs Bibliophiles. Meetings are generally held on the firs...t Sunday of the month and are hosted by various members in their homes.

There are approximately 50 members from around the United States and one each from England, Canada and Germany. The Panthans hosted the 1998 Burroughs Bibliophiles Dum-Dum, the 1999 and 2003 ECOF Gatherings, and will again host the 2006 ECOF in Rockville, MD. Generally so many members go to ERB fan conventions hosted by others that the Panthans can be counted on to assist with registration. The Panthans have published a book, entitled "ERB - The Second Century," which includes fan-produced fiction, scholarly deductions and many great illustrations!

To become a member and receive a monthly newsletter informing you about Panthans activities send your annual subscription fee of US $15.00 to:

John Tyner, Treasurer
5911 Halpine Road
Rockville, Maryland 20851-2410

For further information check their Web site at: www.taliesan.com/panthans/cover.htm

New Bobby Nash Interview At Reader's Voice.

Simon Sandall recently interviewed New Pulp Author Bobby Nash about his work, pulp, comics, his favorite books, conventions, podcasts, and more for the Reader's Voice. You can read the interview in its entirity at http://www.readersvoice.com/ along with book recommendations from Bobby and other guests at the 2010 Memphis Comic and Fantasy Convention.

This year's Memphis Comics and Fantasy Con is October 14-16 in Memphis, TN. Bobby returns as a guest along with New Pulp Authors Tommy Hancock, Wayne Reinegal, Van Allen Plexico, and more.

For more information ont he convention, please visit http://www.memphiscfc.com/.

Sunday, October 2, 2011

HOLMES AND MORE FROM BLACK COAT PRESS IN OCTOBER!

From Black Coat Press- 


Our three October releases are:

BAAL by Renée Dunan (1924) which features the remarkable Madame Palmyre, a bold, brazen occult heroine to rival Sar Dubnotal or Canacki (whom she'll meet in TOTS 8) fighting the eponymous Lovecraftian entity. The great and seductive sorceress Palmyre teaches her assistant Renée the secret of her magic, including her ability to interact with creatures from other worlds, such as the unspeakable Baal, whose octopus-like form is the three-dimensional projection of an unfathomable four-dimensional entity.

The book includes The Devil's Lovers (1929), a heroic saga about Satanism and Witchcraft that follows the adventures of a poacher and his daring wife in war-torn 16th century France.

These two ground-breaking supernatural thrillers from early feminist writer Renée Dunan, also known for her crime fiction and erotic historical novels, depict witchcraft as having its psychological origins in sexuality, reflecting the repression of the sexual impulses by the social norms of the times. "
Highly original works that fully deserve translation for the benefit of fans of modern horror fiction and exotic erotica." Brian Stableford.


THE HUMAN ARROW, a proto-SF novel started before WWI and anticipating the future of aviation, and reissued in with a new ending in 1927 (also included here) by which time it had become an alternate history.This is the story of the first non-stop Paris-to-New York flight by rocket-powered plane as it never happened. French engineer Henri Rozal faces tough competition from rivals for the hand of his fiancée, as well as shady dealings from financiers trying to steal his invention. But as the shadow of war looms, is Rozal's utopian dream of a peaceful planet traversed by powerful flying machines fated to turn into an apocalyptic nightmare?

This edition is the first time that the two versions of the story, the original 1917 edition as well as its rewritten conclusion published in 1927, to take into account Charles Lindbergh's flight and the horrors of World War I, have been published in a single volume.

Also included is Champsaur's novella, The Last Man (1885), which describes how a comet increases the oxygen in Earth's atmosphere and causes Paris to revert to a jungle, and Man to an ape-like beast. 





SHERLOCK HOLMES VS JACK THE RIPPER adapted/edited by Frank Morlock which includes an 1889 play (the first fictional encounter ever) plus a a 1908 issue of the German series which later became HARRY DICKSON."Jack the Ripper is one of the most enduring archetypes in criminal fiction. This book presents, for the first time in English, two of the earliest pieces of Ripper fiction ever written in French: Gaston Marot & Louis Péricaud's stage play Jack the Ripper from 1889, and No. 16 of the French pulp series The Secret Files of the King of Detectives (which later became Harry Dickson) from 1908 in which the Great Detective matches his wits against Jack the Ripper. 

These two stories are translated by Frank J. Morlock, author of Sherlock Holmes: The Grand Horizontals.







COMING IN OCTOBER FROM www.blackcoatpress.com