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Showing posts with label Black Bat. Show all posts
Showing posts with label Black Bat. Show all posts

Tuesday, August 27, 2013

AUDIO COMICS TAKES THE BATTLE TO LA


Starting September 1, AudioComics will begin taking pre-orders for the audio drama adaptation of Moonstone Entertainment's "Battle for LA," starring the Phantom Detective, the Black Bat, the Domino Lady, Secret Agent X, and Airboy.

"Battle" will be released as a digital download October 1, available exclusively through the AudioComics website at www.audiocomicscompany.com!

Between September 1 and October 1, you can preorder the "Battle" MP3 for $6.45 ($1.50 off the retail
price of $7.95).

Plus you will receive a FREE episode from AudioComics' "Horrorscopes" series!

Learn more about Battle for LA here and here.

Thursday, December 6, 2012

NEW PULP FROM TOM JOHNSON

New Pulp Author Tom Johnson has posted information on his latest projects on his blog.

From Tom's Blog:
Over the years I’ve written new stories featuring many of the original pulp characters, as well as some in the new pulp tradition. If you are a fan of any of these character, you might be interested in my short story collections from Altus Press www.altuspress.com/ and NTD www.bloodredshadow.com/ These are available also on Amazon, plus I may have a few copies on hand if you would rather get them from me at fadingshadows40@gmail.com

PULP DETECTIVES, available from Altus Press and Amazon, $24.95: Nine all-new stories starring the classic pulp heroes of the 1930s, featuring the following characters, written by pulp scholar Tom Johnson, it’s nearly 350 pages of excitement:
The Phantom Detective in “Satan’s Minions”
The Black Bat “Murder Under The Big Top”
The Lone Eagle in “The Nazi Spider Staffel”
The Masked Detective in “The Masked Detective’s Deadly Trail”
Secret Agent X in “The Spider’s Web”
The Black Bat in “Guns of Vengence”
The Phantom Detective (sort of) in “Fangs of Death”
 Nightwind in “Mystery of Haunted Range”

EXCITING PULP TALES, available from Altus Press and Amazon, 24.95: The exciting sequel to Tom Johnson's 2010 anthology, PULP DETECTIVES, brings you ten more all-new stories featuring classic pulp heroes:
The Angel in “The Devil of A Case”
The Green Ghost in “The Case of The Blind Soldier”
The Cobra in “Curse of The Viper”
The Crimson Mask in “The Mask of Anubis”
Gentle Jones in “Nazis Over Washington”
The Purple Scar in “The Skull Killer”
Funny Face in “The Star of Africa”
Mr. Death in “Coffins of Death”
The Jungle Queen in “Jungle Terror”
Ki-Gor in “The Lost Valley of Ja Far”

PULP ECHOES, available from NTD and Amazon, $15.50: Seven new stories in the pulp tradition, both new and original characters:
The Bat in "Blind As A Bat"
The Crimson Clown in "The Crimson Clown – Killer"
Nibs Holloway battles Dr. Death in "Till Death Do Us Part"
The Black Ghost in "Carnival of Death"
Captain Anthony Adventure in "Terror In The North Country"
The Black Cat in "A Cat Among Dogs"
Senora Scorpion in "Senora Scorpion"

Also available now on Kindle are three new books by Tom Johnson.

HUNTER’S MOON, featuring the Moon Man in his best adventure since Frederick C. Davis. With the police closing in on Angel’s hideaway, the danger for the Moon Man may be escalating for Great City’s Robin Hood. To compound matters, tragedy strikes closer to home. This time, he will not be able to provide help to someone close to him. Sergeant Steve Thatcher, seeing the people struggling to survive, dons the mysterious garments of the Robin Hood thief to relieve the filthy rich of their ill-gotten gains to be distributed among the poor by ex boxer Ned Dargan. When they come up against an illegal weapons manufacturer masquerading as a toy company, his fiancĂ© is taken prisoner by criminals and he must not only remove them of their money, but put a stop to their weapons sale overseas. $1.99

IN THE SILENCE OF DEATH, Colonel Jeremiah Custer’s Wild West Show comes across murder in a small Texas town. A mystifying murder mystery ensnares the famous criminologist and sharpshooter, Colonel Jeremiah Custer when his team encounters a young boy accused of mayhem. The lad cannot deny the charges for he can neither hear nor speak. The scientific brain of the greatest man hunter is put to task as he attempts to unravel this new crime! The ex intelligence officer puts his scientific brain to work to prove that the deaf mute boy is not the killer. Follow Colonel Custer and his aides as they unravel this deep mystery, and bring to justice this evil murderer. $1.99

THE DEATH TOWER. Secret Agent X is back in The Death Tower. What could a German agent be after in America? During Secret Agent X’s recovery at the Montgomery Mansion after the battle with Zerna’s drug gang in 1937, Betty Dale falls into a trap while following a suspect and is captured by a German Spy. Her whereabouts are unknown, and indeed, it’s not known if she’s even alive. Although the Agent hasn’t fully recovered from his previous battle with Zerna and the underworld, it’s imperative for him to locate and rescue the girl. For Betty Dale is more precious to him than anything in the world. If she has been harmed, he will exact vengeance on those responsible! $.99

To learn more, visit Tom Johnson’s Amazon Author Page or his blog.

Sunday, September 18, 2011

All Pulp Interviews: Moonstone’s Return of the Monsters - Eric Johns

Cover: Dan Brereton
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is The Black Bat vs. Dracula by Mike Bullock and Eric Johns. All Pulp sat down with the artist to talk about this upcoming book.

All Pulp: Tell us a little about yourself and your pulp interests.

Eric Johns: I'm just a regular guy, who spent far too much time studying the way the world works and the best way to record it. After unlocking some esoteric doors, I found my path as a Comic book artist. There are no limits to this format, all stories are possible, no production restraints, no boundaries like other mediums have.

Art: Eric Johns
Having owned a comic book store, I've read all kinds of Pulp: John Carter, The Shadow, Tarzan, Conan, and Doc Savage to name a few off the top of my head. These guys trailblazed the way for the comic book heroes we know today. Pulps, directly or indirectly, influence nearly all creators in the comic field.

AP: You’re providing pencils and inks for the Return of the Monsters Halloween event book, The Black Bat vs. Dracula. What can we expect from this titanic throw down?

EJ: Expect a captivating thrill ride, with a harrowing glimpse into Death Angel's soul, as penned by the masterful Mike Bullock.

AP: The Black Bat vs. Dracula has a pulp hero battling a classic monster, a combination that even though done in some regards hasn't ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?

Art: Eric Johns
EJ: Well both deal with the dark side. They both wield weird, often powerful abilities that make brawls and action sequences far above the realm of knuckles and the 40 inch vertical leap of mere humans.
The Heroes of Pulp fit nicely in opposition to the evil Monsters, completing the chess pieces necessary for battle. A battle between beings that can actually go toe to toe, or claw in some cases.

AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of Dracula compare and contrast to previous versions of the character?

Return of the Monsters Cover Art: Dan Brereton
EJ: Well he compares in power and weaknesses, and is shadowed comfortably in the darkness, like previous incarnations. Mike Bullock's version deviates only slightly from the classic, he hides in plain sight at the beginning. Oh, maybe I shouldn't have said that. (laughs.) He has long hair, but otherwise it's our beloved Drac.

Art: Eric Johns
AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about visually pitting the Black Bat against the lord of the vampires?

EJ: Are you kidding me? Anytime you get to draw one of the classic monsters, it's an opportunity not to be wasted.

AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at drawing?

EJ: The Shadow, any of the Monsters, and Daredevil or Batman. My art style is probably better suited to Superman or Captain America, however, and I love both of those characters as well.

Art: Eric Johns
AP: What does Eric Johns do when he’s not drawing?

EJ: I'm a strange mixture of nerd and athlete. Athnerd or dorklete. I play basketball and Magic the Gathering, and love my comics.

AP: Where can readers find learn more about you and your work?

EJ: For those willing to ask, I'm pretty accessible: http://www.facebook.com/profile.php?id=1058905780

AP: Any upcoming projects you would like to mention?

EJ: I'm illustrating "SGT. Janus: Spirit Breaker," it's prose style Pulp fiction. I could give accolades to this book and it's writer, Gentleman Jim Beard, but it's better to just relate what I told Jim. There is a fairy tale that he created, pure Jim Beard, but it resonated with me and my mind kept telling me, "I remember that story," as I read it for the first time. That is profound writing!

AP: Thanks, Eric.

The Black Bat vs. Dracula is solicited in August Previews for an October in store release.

Wednesday, September 14, 2011

All Pulp Interviews: Moonstone’s Return of the Monsters - Mike Bullock

Cover Art: Dan Brereton
This Halloween, Moonstone heads back to their monstrous roots with the Return of the Monsters Event. Return of the Monsters features four stand-alone tales of pulp’s mightiest heroes facing off against some classic monsters. One of those titles is The Black Bat vs. Dracula by Mike Bullock and Eric Johns. All Pulp sat down with the writer about this upcoming book.

All Pulp: Hi, Mike. Tell us a little about yourself and your pulp interests.


Mike Bullock: Well, I'm a guy who loves escapist fiction. Mostly the kind that goes on inside my head. I don't have much time anymore to spend reading great books or watching thrilling movies, so that love burrows deep into my mind and sinks its fangs into the wellspring of imagination constantly flowing through my thoughts.


My pulp interests began with sword and sorcery stuff, then sci fi and space opera stuff. I was never much into the hard-boiled detective type stuff and somehow missed the boat on Doc Savage, but I love Conan, John Carter, Flash Gordon and the more fantastical stuff like Captain Future, Gladiator and the like.


Oh, and, I love pizza.


Art: Eric Johns
AP: Your story for the Return of the Monsters Halloween event is called The Black Bat vs. Dracula. What can we expect from this titanic throw down?


MB: It's a game of cat and mouse and cat as Death Angel investigates a serial killing only to discover the killer is after her next and he doesn't want to kill her, but to make her his eternal lover. A fateful game of huntsmanship through the historic Phaidor hotel, brought to life by the zealous pencils and pens of Eric Johns.


AP: The Black Bat vs. Dracula has a pulp hero battling a classic monster, a combination that even though done in some regards hasn't ever really been done the way Moonstone is doing it with the Return of the Monster event. What do these genres have in common and how do they differ in ways that complement each other?


MB: I'm sure everyone has their own view of how to answer that, but since you're asking me, here's mine: Both pulp and the classic monster tales use some really imaginative characters that are far outside the ordinary and place them into situations that force the ordinary to become extraordinary. Frankenstein, Dracula, werewolves, mummies and zombies all seem to come from the same wellspring I mentioned above, and so do characters like Black Bat, Phantom Detective, Domino Lady, Spider and Death Angel.

I also think both "genres" (I use that word very, very loosely) appeal to a similar audience, people looking for escapism with a solid sense of right and wrong, the heroic and villainous. There aren't many shades of grey in either, although characters on both sides of the table do have both human and monstrous sides to their personas.

AP: The Black Bat vs. Dracula also features your creation, Death Angel. How does this modern day creation hold her own against these two classic characters?


Art: Eric Johns
MB: I think that's up to the readers to decide. I'd have to be pretty egotistical to think a character I came up with just a few years ago could compare to the likes of Dracula and Black Bat. Those are two creations that have stood the test of time for a very long time and will continue to do so. I can only hope 'Angel is still remembered when she's been around as long as those two heavyweights. Honestly, I'm just tickled that people seem to dig her as much as they do.


AP: The Return of the Monsters Halloween event brings back several classic monster archetypes to Moonstone’s lineup. How does this version of Dracula compare and contrast to previous versions of the character?

MB: I haven't seen all the previous versions, but my take on the Prince of Darkness is fairly 'classic' I think. He's young in appearance, charismatic, self assured, powerful and someone who is very used to getting his way. Until this story, Death Angel had never met her equal in a fight and it's made her a bit overconfident. After this encounter, if she survives, that confidence will be shaken to the core.


AP: What appeals to you about pulp heroes battling classic monsters? What was it that excited you about pitting the Black Bat against the lord of the vampires?


MB: For me, it was a classic "Battle to Rule The Night" scenario. Black Bat, Death Angel and Dracula all exist in the shadows, stalking their prey through the darkness, using fear as a weapon. But, while their methods are all very similar, their motives and desired goals are definitely not. Black Bat wants justice, Death Angel wants revenge and Dracula wants blood. Aim those three at the same crossroads and get ready for the "big one".


AP: You’ve been spearheading the Black Bat’s comic book adventures for Moonstone. What’s ahead for the book and character?


MB: At some point the second Black Bat graphic novel will come out, concluding the "Black Death" story begun in the first graphic novel. I also have a Black Bat/Spider crossover tale coming in the Spider prose anthology. After that, I think the majority of new Black Bat tales will come in prose form. I'd like to start building him ground up in a series of prose tales, but we'll have to wait and see what the future holds.


Art: Eric Johns
AP: What, if any, existing pulp, monster, or comic book characters would you like to try your hand at writing?


MB: Pulp - Conan, John Carter. Monster, more Dracula and possibly some Frankenstein. I wrote a Frankenstein tale years ago I might dust off, polish up and release in eBook format sometime. For comics, I'd love to write Moon Knight, Firestorm and Captain "Shazam" Marvel, and to a minor extent would love to do some Silver Surfer and eventually Batman.


AP: What does Mike Bullock do when he’s not writing?


MB: Spend entirely too much time on the phone discussing writing with clients, publishers, artists and friends. When not doing that, I love to spend time with my beautiful wife and awesome son.


Cover Art: Dan Brereton
AP: Where can readers learn more about you and your work?


MB; Read the tea leaves. They know everything. If not, roll the bones; the runes never lie. But, if you don't have access to tea leaves and rune stones, you can check out my studios' website at www.runemasterstudios.com and the sister site www.pulp.runemasterstudios.com/


AP: Any upcoming projects you would like to mention?


MB: Anyone out there who is into sword and sorcery should stay tuned for my first prose novel, coming from Airship 27 early next year, "The Runemaster." It's a Viking epic in the vein of Conan, Braveheart and Beowulf. After that, check out my second novel, coming from Pro Se entitled "Janus: Guardian of Worlds." Janus exists in the late 1930s where he finds himself as the lone guardian between our world and an infinite number of others inhabited by all sorts of nasty creatures, unimaginable evil and supernatural forces all hell-bent on the destruction of everything we know. And you thought the Nazis were the only thing to worry about back then…


AP: Thanks, Mike.


MB: You're welcome. Thanks for the interview and thanks for everything All Pulp does for those of us with an addiction to fiction.

The Black Bat vs. Dracula is solicited in August Previews for an October in store release.