23. A View to a Kill
Simply a wretched film under any circumstances, and the
worst of the Roger Moore series—which is saying something. I've watched it several times, and can't get those hours of my life back, I'm afraid. There's virtually nothing redeeming about this movie. Moore is a thousand years old. Duran Duran does the theme song. Dear lord. It's all just dreadful.
22. Octopussy
While overall not as terrible as “A View to a Kill,” it
contains the single worst moment in any of the films: James Bond, in full clown
makeup, pleading for someone in a circus audience to take him seriously and believe him that an atomic
bomb is counting down toward detonation. And
they’re all laughing at him. YOU DON'T EVER LAUGH AT BOND. Except, y'know, when he's making one of his little dry jokes. Just horrible.
21. License to Kill
Watching Dalton is as exciting as watching a layer of paint dry on your secret underground supervillain volcano lair, and the film looks more like a
made-for-TV movie from the mid-1980s than a big-budget blockbuster. Even "Dr. No," made for about a buck fifty, looked more "epic" than this. And a drug lord and his cartel--big in the Eighties as far as bad guys go--just seems so "yesterday" now.
20. Die Another Day
The parts are all there for a great Bond film--particularly the Korean DMZ opening, a locale we hadn't seen before in any of the Bond films, and a very logical one for him to be seen at--but they came
together in such a depressing way that this movie actually made me ready for Pierce
Brosnan’s run as Bond to die this
day. And that says a lot, considering he
is my favorite Bond.
19. The Man with the
Golden Gun
What seemed in the mid-1970s as an amazing spectacle—the fantastic Christopher
Lee as the assassin “Scaramanga,” with his literal “golden gun,” flying car, and island base
complete with lasers and fake Bond in the shooting gallery—now seems supremely
cheesy. Still, it did serve as sort of a
backdoor pilot for “Fantasy Island,” so we’ll at least give it credit for
that. “The plane! The plane!”
18. The Living
Daylights
While Timothy Dalton is the dullest Bond of all (and those
who say he’s like the Bond of the books must be reading different books than I
have), and while there are parts of the film that induce cringes to this day
(toy soldiers shooting at Bond? Really?), it’s still tons better than Dalton’s
other outing in the role. Seeing Bond on the Rock of Gibraltar at the start was a nice touch. Not horrible, but a far cry from "great."
17. The World is Not
Enough
As is true to one degree or another with all four of the
Brosnan films, the pieces are there, but it doesn’t quite come together. Love the villain; like the plot; don’t like
the execution of any of it. Denise “Nucular”
Richards gets routinely trashed for her “contributions” to this film, and
rightfully so; her performance in the final reel is the cruddy cherry on top.
16. Moonraker
Another that I have a particular soft spot for. While the return of Jaws—in his new, comedic
role—nearly sinks the picture, and while the plot is a virtual Xerox copy of
the previous film, “The Spy Who Loved Me,” but in space rather than underwater,
the deliciously understated Hugo Drax and the astronauts-with-laser-guns battle at
the end save this movie for me. Sort of.
15. Quantum of Solace
Parts of this movie—Craig’s performance, the whole “Quantum”
bit that seemed to be setting up a modern-day SPECTRE, the theater sequence
where he talks to the baddies over their communications link—border on
spectacular. Everything else (from Mr.
Green to the Latin American dictator) slides over into the ridiculous. The plotline involving Green’s girlfriend
makes no sense whatsoever. A huge
letdown of a movie.
14. The Spy Who Loved
Me
Others think very highly of this movie, but I am not the
Viewer Who Loved It. Part of it is
personal, based on the circumstances under which I first saw it. (It was 1977 and I wanted to see “Star Wars;”
my brother wanted to see this. He
won. I had to wait months longer to see “Star
Wars.”) Part of it is that I’m not remotely intrigued by Barbara Bach. Part of it is that, to borrow a phrase from
Queen, “Jaws was never my speed.” Hate me if you want, haters, but this one doesn't do a lot for me. Do like the underwater Lotus, though.
Back soon with numbers 13-4! Then we'll finish up with the three best of all.
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